Presentations

 

Patterns Found in the World: Luchita Hurtado and Andrianna Campbell

Andrianna Campbell: “Potential and Devastation in Norman Lewis’ Abstract Expressionism” TerraAmericanArt


John Newman & Andrianna Campbell February 4, 2016, Columbus College of Art & Design

A Conversation With The Critics 2016

New York Academy of Art

Andrianna Campbell in conversation with Simone Leigh ICI

New, NE: Spotlight on Andrianna Campbell, AMT Art Media and Technology

Pratt Photography Lectures: Sam Contis in Conversation with Andrianna Campbell

March 21, 2018

7:00 PM – 9:00 PM

Simone Leigh (on the left) and Andrianna Campbell (on the right) Independent Curators International

January 11, 2018  · New York, NY  ·


6:25-7:15 pm
Discussion: LIVE
Andrianna Campbell, PhD Candidate in Art History, CUNY Graduate Center
Andria Hickey, Associate Curator, Public Art Fund
Moderated by Carin Kuoni, VLC

Andrianna Campbell on Jack Finney, Time and Again & From Time to Time, in conjunction with Public Programming for Arlene Shechet's "Full Steam Ahead" at Madison Square Park.


Andrianna Campbell gave a lecture in Schermer Meeting Hall on Tuesday, March 12th at 5:30pm.

Artist Talk: Stanley Whitney

Oshman Hall at the McMurtry Building for Art & Art History. FREE.

JANUARY 27, 2017 5:30 PM

Drawing influence from Abstract Expressionism and his African-American heritage, Whitney produces abstract paintings focused on color in inexhaustible variations. In conversation with Alexander Nemerov, Department Chair of the Department of Art & Art History and Andrianna Campbell, PhD candidate, CUNY Graduate Center.

Andrianna Campbell and Fred Wilson, Topic: Afro Kismet, NYU, Barney Building, July 11, 2018.

Andrianna Campbell talk on Identity. Thanks to Eric Sutphin, SVA Summer Artist Residency Programs.

“This phenomenon occurs both in her monumental, architectural paintings like Mural, where as Mehretu explains, the built environment “becomes atomized” and the transparent physical form allows the viewer “...to see through everything,” encouraging him to experience the painting up close and become immersed in its various sections and layers; as well as in her “grey period” works like “Untitled” (2012) and “Tsunemasa” (next to Kaija) (2014), the latter of which was used as part of the set design for the opera “Only the Sound Remains” (2016), and which Andriana Campbell describes as Mehretu’s turn toward theatrical scenography to “converge... fantastical and fantasy-based constructed environments.”

PAST JURIED COMPETITION

2017 Annual Juried Competition and Exhibition

Baxter St at CCNY is pleased to announce the finalists for the 2017 Annual Juried Photography Competition and an upcoming exhibition featuring the top three competition artists, juried by curator and art historian Andrianna Campbell. The three top winners are Keith O. AndersonRes, and Qian Zhao.
Closing reception and slideshow: September 8, 2017 | 6 – 8 pm

Andrianna Campbell on Robert Smithson, a decade ago, March 2015. Dia Art Foundation, Beacon, New York.

Andrianna Campbell

TEN AMERICANS: AFTER PAUL KLEE

Symposium, APRIL 22, 2018, 2-5:15 PM

Andrianna Campbell, after Andy Warhol Screentest, Andy Warhol Museum, 117 Sandusky St, Pittsburgh, PA 15212.

https://www.warhol.org

Mention of my essay on Claude Lawrence: ‘Art historian Andrianna Campbell attests to the depth of influence that Lawrence’s musical career had on his painting and observed that his work often operates “as a fusion of improvisation and subject matter governed by memory akin to the way that a jazz musician follows the established chord progressions and recycles it to render it continually new.’

Christian Kravagna, Transmodern: An art history of contact, 1920-60, 2022, 195. Reference Andrianna Campbell, ‘Cathedrals from Light to Space’, in Cathedral 1950 by Norman Lewis, Tate Research Publication, 2018, https://www.tate.org.uk/research/in-focus/cathedral/light-to-space, accessed 3 November 2024.

Andrianna “Tammy” Campbell and Tarin Fuller, November 12, 2015. Norman Lewis: Procession opening. Curated by Ruth Fine, PAFA.

Andrianna with former Shandaken Board member Camilo Grody

Standing portrait by Sharon Louden

Andrianna Campbell, Matthew Placek, Alan Cumming, James Kaliardos, Cecile Dean, Erika Mercado