New York Magazine cover, Marilyn Minter portrait, “Home of the Resistance,” photo of Andrianna Campbell, January 22, 2018

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Andrianna Campbell talking with Lorna Simpson, SoHo Club, Dumbo, Brooklyn. Photo courtesy artist Zoe Buckman

Andrianna Campbell-Lafleur featured in New York Times Best Artbooks 2019

Johanna Fateman, Rave review in the New Yorker, April 6, 2017

ANDRIANNA CAMPBELL-LAFLEUR, THE WALL STREET JOURNAL MAGAZINE, SEPTEMBER 5, 2020

Mariane Ibrahim, Amoako Boafo, Kim Jones Interview, Roberts Projects etc

September 2020 Issue of The Wall Street Journal Magazine COVER

Alina Cohen, “The 7 Most Influential Art Critics Today” New York Observer, {apricota (2018-2019)}

Danielle Dean, Andrianna Campbell etal, Storm King, BFA Matters

Andrianna Campbell, Max Wang, Podcast voice for David Sedaris Maja Thomas, former Glass House Director Susan Sayre Batton, THE GLASS HOUSE SUMMER PARTY-Mosphere. Sat, Jun 13 2015

Photo Credit: Angela Pham/BFA.com

Copyright Owner: © BFA 2024

Hilary Moss, Artists Who Peddle Products — and Politics Andrianna Campbell, Marilyn Minter, Anger Management., Oct. 2, 2017

Julia HalperinSeptember 27, 2017, Need a Protest Thong? Marilyn Minter Has Opened an Unusual Pop-Up Store to Arm the Resistance

The products are available at a pop-up gift shop at the Brooklyn Museum courtesy Marilyn Minter and Andrianna Campbell.. Laurie Simmons's handmade thong for "Anger Management" at the Brooklyn Museum. Courtesy of @marilynminter via Instagram.

Andrianna Campbell interviews Marilyn Minter, Garage, October 11, 2017.

Anger Management Pop Up, Brooklyn Museum, Photo: Jonathan Dorado.

Mar 24, 2017

2Way: Andrianna Campbell on the Emmett Till Painting at Whitney Biennial, Interviewed by Camila and Acacia. Columbia Radio.

Cranbrook Academy of Art Announces Lectures With Artists, Architects, Curators, Designers

Cannupa Hanska Luger, Hamza Walker, Roberto Lugo, Ghada Amer, Norman Teague, Risa Puleo, Yolande Daniels, Andrianna Campbell-LaFleur, and Yuri Suzuki are speaking in this free public series.

Cranbrook Academy of ArtOctober 9, 2023

“Artists Willie Cole, Abigail DeVille, and Shinique Smith will come together to discuss the uses of “found and repurposed objects, clothing, sound, photography, and other materials.” Moderated by Andrianna Campbell, the discussion will touch on the ways these objects reflect a place, culture, and identity within the framework of African-American contemporary art and history.”

“This process could be considered part one of the premise, as reflected in the term Formula 1, which of course also relates to Grand Prix auto racing. According to the Wikipedia entry for Formula One, “The word ‘formula’ in the name refers to the set of rules to which all participants’ cars must conform”; if you swap out ‘cars’ for ‘artworks,’ you end up with the “air of familiarity” detected but left undefined by the curators. Or, as Andrianna Campbell writes in her essay for the catalogue, Dayal and Wu “have configured Formula 1: A Loud, Low Hum to constructively assess recurrent artistic tropes and take stock of overly derivative styles.””

“As he tells art historian Andrianna Campbell in a 2015 interview excerpted in the book, there was no model for the type of career he sought at the time he was painting: “Norman [Lewis] was the only one that had a substantial presence in the community as a black abstract painter. That was my attraction, and that’s why I wanted to speak with him.””

““Since the 2016 election, I’ve been working to make the Trump presidency as short as possible,” Marilyn Minter told Hyperallergic in an email. “I’ve been working behind steamed and frozen glass since 2009. I like the accidents that happen as the frozen glass starts to melt. … My model is my friend and co-conspirator on Anger Management at the Brooklyn Museum. Her name is Andrianna Campbell and she is an art historian and curator.””

“Anger Management, a pop-up store organized by Marilyn Minter and Andrianna Campbell, opened at the Brooklyn Museum. Featuring works designed by artists including John Baldessari, Jenny Holzer, Barbara Kruger, and Glenn Ligon, the store features objects dedicated to themes of “resistance, hope, and protest.””

“The result is an idealized image of sexuality and sensuality with which artists continue to engage centuries later — something art historian Andrianna Campbell has suggested that Erizku is well aware of. But Erizku and Beyoncé have made one important change from most of their Old Master predecessors: In these photographs, rather than looking into the distance like Botticelli’s Venus, or having her eyes closed like Giorgione’s, Beyoncé is looking directly at the viewer, as if to acknowledge that she knows we feel compelled to look at her, perhaps out of desire or longing to be like her.”

“ A Conversation with Critics

When: Wednesday, October 19, 6:30pm
Where: New York Academy of Art (111 Franklin Street, Tribeca, Manhattan)

Art, criticism, art criticism — I’ll be discussing it all on Wednesday night at the New York Academy of Art! Hosted by artist and writer Sharon Louden, the panel will feature me alongside fellow critics Andrianna Campbell, Katy Diamond Hamer, and Julia Wolkoff. The second half of the event is devoted to audience questions, so come prepared. And don’t worry, we’ll be done in time for you to suffer through the final (thank goodness) presidential debate. —JS”

“Discussing Robert Smithson’s Pop

When: Sunday, January 10, 1pm
Where: James Cohan Gallery (291 Grand Street, Lower East Side, Manhattan)

Smithson is most widely known for his earthworks, but this show — recently extended through January 17 — focuses on his smaller sculptures and electric works on paper, which often feature erotic nudes gussied up with peculiar accessories and colorful, angel-like wings. This panel brings together art historian Andrianna Campbell and curators Eugenie Tsai …, who will discuss themes from this early period of Smithson’s life that continued to emerge throughout his career. —CV|”

““Is the same true of the digital revolution? Are widespread computer and internet usage changing the way we make art and understand the world? The answer to those questions is undoubtedly “yes,” and that affirmative is the starting point for Decenter, a physical and virtual exhibition curated by Andrianna Campbell and Daniel S. Palmer at the Abrons Arts Center. Celebrating in a refreshingly forward-thinking way the centennial of the Armory Show, which unleashed Cubism on the US in 1913, Decenter features 27 artists “who explore the changes in perception precipitated by our digital age and who closely parallel the Cubist vernacular of fragmentation, nonlinearity, simultaneity, and decenteredness,” the curators write. As Cubism was to the 20th century, then, so digital and digitally inspired art are to the 21st.”

“For the show, curators Andrianna Campbell and Daniel S. Palmer have chosen artists whose work tackles perception in the digital age and “who closely parallel the Cubist vernacular of fragmentation, nonlinearity, simultaneity, and decenteredness.” Those artists include Cory Arcangel, Douglas Coupland, Franklin Evans, Andrea Geyer, Liz Magic Laser, and Rafaël Rozendaal. Abron will host two panel discussions on Sunday, on the legacy of the Armory Show and perception and art in the digital age, followed by the opening reception for the exhibition.”

Celebración cubista y el net.art como nueva modernidad

Por: Roberta Bosco y Stefano Caldana | 11 de marzo de 2013 “Físicamente en el Abrons Arts Center están presentes exclusivamente las obras de los 27 artistas destacados y no todas. Es decir, sólo aquellas piezas que se pueden definir obras plásticas y no las piezas digitales inmateriales. Al mismo tiempo todas las obras se pueden ver en Internet, a través de la pagina específica y en el Abrons Arts Center a través de los soportes digitales y smartphones, a disposición de los visitantes. “Queríamos romper las barreras entre las exposiciones que enfatizan lo digital y las que son sólo físicas. Finalmente en nuestras vidas ambos mundos se cruzan”, asegura Andrianna Campbell, subrayando que todas las piezas digitales se pueden ver en el Abrons Arts Center con dispositivos móviles, a través de los códigos QR presentes en el espacio expositivo. También son accesibles con este sistema las de los net.artistas de la selección principal, como Brenna Murphy, Rafaël Rozendaal y Tony Cokes, que “no querían tener sus obras en ordenadores como si se tratara de esculturas”, concluyen Campbell y Palmer.”

“The blog lastartup.tumblr.com has been converted into an online magazine, releasing weekly commissioned essays by various writers, curators and thinkers related to the problematics that arose from the project. Recent contributors have included Alex Scrimgeour, Paul S. Sánchez, Jamie Sterns, Andrianna Campbell and Adam Kleinman.”

RISD XYZ, page 76-77.

Tim Barry, “Discussing the mechanics of artist selection, Campbell describes: I first met Marina Adams in the loft she shares with her husband Stanley Whitney. She came in the room like a tornado…so much energy. (Aware of how the “wives” of artists often get overshadowed by a more well-known partner.) Later she won a Guggenheim and had two exhibitions coming up, Salon 94 and in Switzerland. The work is vibrant and the curving forms allude to femininity and spirituality. Women didn't used to want to make abstract paintings that could be read as feminine. (Even Georgia O’Keefe rebelled against this). But Adams has created a language.”

Andrianna Campbell mentioned on Two Palms website. https://www.lissongallery.com/news/stanley-whitney-in-the-color-publication-now-available, Also mentioned in Victoria Valentine, Culture Type.

Glass House Summer Picnic Party

Kate O'Riley named a bespoke purse after Andrianna Crossbody, LINE & LABEL, 580 Manhattan Ave, Brooklyn, New York 11222. An envelope purse designed in the spirit of/ à la Lancaster of Paris, with added back flap, changed dimensions, pebble grain leather in sky blue, shortened strap length, and different hardware.

Andrianna Campbell on Ingmar Bergman. Article by Karen Ponzio for the NEW HAVEN* INDEPENDENT. Film Series Brings Bergman To Best Video, New Haven.

Andrianna Campbell on Ingmar Bergman. Article by Karen Ponzio for the NEW HAVEN* INDEPENDENT. Film Series Brings Bergman To Best Video, New Haven.

Andrianna in Big Cat Milly dress for Jordan Peele US premiere