Andrianna Campbell-Lafleur, PhD, Vanity Fair January 24, 2024

Vanity Fair

FEBRUARY 2018 ISSUE

What to Read in February BY SLOANE CROSLEY

JANUARY 8, 2018

 

PUBLICATIONS

 

“Dash, Fragment, Bracket” by Andrianna Campbell, Even Magazine, Image: Trudy Benson, Script, 2015.

VanDerBeek + VanDerBeek Paperback – January 1, 2020

by Sara VanDerBeek (Subject)

Catalogue for the exhibition VanDerBeek + VanDerBeek, curated by Sara VanDerBeek and Chelsea Spengemann, Director of the Stan VanDerBeek Archive, held September 20, 2019 – January 4, 2020 at Black Mountain College Museum + Arts Center. VanDerBeek + VanDerBeek presents artwork by Sara VanDerBeek (b. 1976, Baltimore, MD) alongside work by her father, Stan VanDerBeek (b. 1927, New York, NY – d. 1984, Baltimore, MD), a Black Mountain College alum. Featuring essays from Gloria Sutton, Andrianna Campbell-LaFleur and Hyemin Kim. Edited by Sara VanDerBeek and Chelsea Spengemann with a foreword by Jeff Arnal.

Walter Price: Makin’ it Funky, Keepin’ it Fresh

“This latest edition includes contributions from a number of Kitchen artists/writers, including Andrianna Campbell-LaFleur, Liz Deschenes, Christopher K. Ho, Haley Mellin, John Miller, and Alan Ruiz, as well from other artists including Nick Angelo, Trudy Benson, Dawn Cerny, Vanessa Conte, Jenni Crain, DROOIDS, Russell Etchen, Peter Fend, Jen Fisher, Jamie Fletcher, Ryan Foerster, Thalia Forbes, Blair Hansen, Julie Hart, Miles Huston, Jeremy Jansen, Butt Johnson, Matt Kenny, Max Maslansky, MoneyGraham NYC, Phoebe Nesgos, NOWORK, Seymour Polatin, David Rimanelli, Alex Roth, Heather Rowe, Amanda Schmitt, Steel Stillman, Nickolaus Typaldos, and Kevin Zucker.”

“art historian Andrianna Campbell and photographer Matthew Connors visit Cuba to explore the shifting meaning of political monuments;”

Fully-illustrated, 120-page hardcover publication containing 67 color reproductions with essays by Andrianna Campbell and Professor Tetsuya Oshima

Norman Lewis: Looking East explores for the first time the profound impact of Asian thought, philosophy, literature and art on the life-long work of abstract expressionist Norman Lewis (1909-1979). Produced on the occasion of Michael Rosenfeld Gallery's fifth solo exhibition for the artist, the publication includes color reproductions of 35 paintings and works on paper spanning 1948 to 1974, and pages from never-before-viewed artist sketchbooks from the Norman Lewis Archive.

Norman Lewis: Looking East features new scholarship by Andrianna Campbell and Tetsuya Oshima. In his essay, Oshima traces how Lewis came to direct a serious eye to Asian art, deepening his commitment to it in the mid-1940s as he worked to create a universal pictorial art on his own terms. Art historian Campbell takes us back to post-World War II New York, when artists and scholars gravitated toward the idea of a cohesive world, in the context of which Lewis developed a new and celebratory visual language deeply informed by East/West aesthetic and cultural exchange.

Andrianna Campbell is a doctoral candidate in the Department of Art History at the CUNY Graduate Center, where she specializes in art from the modern and contemporary period. Her doctoral research focuses on Norman Lewis and Abstract Expressionism. Alongside her scholarly research, she is the author of essays and reviews on contemporary art for Artforum, Art in America, Frieze and Mousse.

Tetsuya Oshima obtained a Ph.D. at the Graduate Center of the City University of New York and from 2008 until 2015 served as Curator at the Aichi Prefectural Museum of Art in Nagoya, Japan. From 2015 until 2019, he held a position as Associate Professor at Hiroshima University. Currently, he serves as Associate Professor in the Department of Art Studies at Tama Art University in Tokyo. Oshima curated the major exhibition Jackson Pollock: A Centennial Retrospective (2011-12, Aichi Prefectural Museum of Art and The National Museum of Modern Art, Tokyo).


Andrianna Campbell. Vitamin C+: Collage in Contemporary Art: “Njideka Akunyili Crosby; Ellen Gallagher; Peter Kennard; Linder, Christian Marclay; Wangechi Mutu; Deborah Roberts; Martha Rosler; and Mickalene Thomas…– Vitamin C+ showcases 108 living artists…selected by 69 leading experts, including museum directors, curators, critics, and collectors. The 69 expert nominators include: Cecilia Alemani; Iwona Blazwick; David Campany; Raphael Chikukwa; Patrick Elliott; Max Hollein; Hettie Judah; Christine Macel; Roxana Marcoci; Duro Olowu; Scott Rothkopf; Russell Tovey; Zoe Whitley; and Heidi Zuckerman. Artists include: Njideka Akunyili Crosby; Kader Attia; Adam Broomberg; Sara Cwynar; Moyna Flannigan; Ellen Gallagher; Lauren Halsey; Lyle Ashton Harris; Thomas Hirschhorn; Peter Kennard; Justine Kurland; Linder; Christian Marclay; Wangechi Mutu; Frida Orupabo; Heather Philipson; Tabita Rezaire; Deborah Roberts; Martha Rosler; Dee Shapiro; Eva Stenram; John Stezaker; Mickalene Thomas; Kara Walker; and Billie Zangewa.”


Andrianna Campbell, on Stanley Whitney, Image Courtesy: Amazon UK.

Peter Coffin Boo, Aspen #peace #ZA

╱ Andrianna Campbell, BFA in Printmaking ╱

LOANABLE BOOK: Frank Stella

Stella, Frank, artist, interviewee.; Campbell, Andrianna, interviewer.; Nesin, Kate, author.; Blalock, Lucas, author.; Richardson, Terry, 1965- author, photographer.

London ; New York, NY : Phaidon Press Ltd.; 2017

“Jokes for the Campfire” Andrianna Campbell told a joke that Gregory Fellows used to tell. Shandaken Projects. Basketball City. Edited by Nicholas Weist.

“Jokes for the Campfire” Andrianna Campbell told a joke that Gregory Fellows used to tell. Shandaken Projects. Basketball City. Edited by Nicholas Weist.

Walter Price Pearl Lines Special Edition Essays by Andrianna Campbell & Moritz Wesseler Kolnischer Kunstverein, Cologne, 2019. Raw pulp red cover.

Walter Price Pearl Lines Special Edition Essays by Andrianna Campbell & Moritz Wesseler Kolnischer Kunstverein, Cologne, 2019. Raw pulp tan cover.