Presentations
Patterns Found in the World: Luchita Hurtado and Andrianna Campbell
Andrianna Campbell: “Potential and Devastation in Norman Lewis’ Abstract Expressionism” TerraAmericanArt
John Newman & Andrianna Campbell February 4, 2016, Columbus College of Art & Design
A Conversation With The Critics 2016
Andrianna Campbell in conversation with Simone Leigh ICI
New, NE: Spotlight on Andrianna Campbell, AMT Art Media and Technology
Pratt Photography Lectures: Sam Contis in Conversation with Andrianna Campbell
March 21, 2018
7:00 PM – 9:00 PM
Simone Leigh (on the left) and Andrianna Campbell (on the right) Independent Curators International
January 11, 2018 · New York, NY ·
6:25-7:15 pm
Discussion: LIVE
Andrianna Campbell, PhD Candidate in Art History, CUNY Graduate Center
Andria Hickey, Associate Curator, Public Art Fund
Moderated by Carin Kuoni, VLC
Andrianna Campbell on Jack Finney, Time and Again & From Time to Time, in conjunction with Public Programming for Arlene Shechet's "Full Steam Ahead" at Madison Square Park.
Andrianna Campbell gave a lecture in Schermer Meeting Hall on Tuesday, March 12th at 5:30pm.
Artist Talk: Stanley Whitney
Oshman Hall at the McMurtry Building for Art & Art History. FREE.
JANUARY 27, 2017 5:30 PM
Drawing influence from Abstract Expressionism and his African-American heritage, Whitney produces abstract paintings focused on color in inexhaustible variations. In conversation with Alexander Nemerov, Department Chair of the Department of Art & Art History and Andrianna Campbell, PhD candidate, CUNY Graduate Center.
Andrianna Campbell talk on Identity. Thanks to Eric Sutphin, SVA Summer Artist Residency Programs.
“This phenomenon occurs both in her monumental, architectural paintings like Mural, where as Mehretu explains, the built environment “becomes atomized” and the transparent physical form allows the viewer “...to see through everything,” encouraging him to experience the painting up close and become immersed in its various sections and layers; as well as in her “grey period” works like “Untitled” (2012) and “Tsunemasa” (next to Kaija) (2014), the latter of which was used as part of the set design for the opera “Only the Sound Remains” (2016), and which Andriana Campbell describes as Mehretu’s turn toward theatrical scenography to “converge... fantastical and fantasy-based constructed environments.”
PAST JURIED COMPETITION
2017 Annual Juried Competition and Exhibition
Baxter St at CCNY is pleased to announce the finalists for the 2017 Annual Juried Photography Competition and an upcoming exhibition featuring the top three competition artists, juried by curator and art historian Andrianna Campbell. The three top winners are Keith O. Anderson, Res, and Qian Zhao.
Closing reception and slideshow: September 8, 2017 | 6 – 8 pm
Andrianna Campbell on Robert Smithson, a decade ago, March 2015. Dia Art Foundation, Beacon, New York.
Andrianna Campbell
TEN AMERICANS: AFTER PAUL KLEE
Symposium, APRIL 22, 2018, 2-5:15 PM
Andrianna Campbell, after Andy Warhol Screentest, Andy Warhol Museum, 117 Sandusky St, Pittsburgh, PA 15212.
Mention of my essay on Claude Lawrence: ‘Art historian Andrianna Campbell attests to the depth of influence that Lawrence’s musical career had on his painting and observed that his work often operates “as a fusion of improvisation and subject matter governed by memory akin to the way that a jazz musician follows the established chord progressions and recycles it to render it continually new.’
Christian Kravagna, Transmodern: An art history of contact, 1920-60, 2022, 195. Reference Andrianna Campbell, ‘Cathedrals from Light to Space’, in Cathedral 1950 by Norman Lewis, Tate Research Publication, 2018, https://www.tate.org.uk/research/in-focus/cathedral/light-to-space, accessed 3 November 2024.
Andrianna “Tammy” Campbell and Tarin Fuller, November 12, 2015. Norman Lewis: Procession opening. Curated by Ruth Fine, PAFA.
Andrianna with former Shandaken Board member Camilo Grody
Standing portrait by Sharon Louden
Andrianna Campbell, Matthew Placek, Alan Cumming, James Kaliardos, Cecile Dean, Erika Mercado
Eduardo Kac, Reabracadabra, 1985 (reconstruction). Animated poem for Videotexto. Courtesy the artist. Alchemy: Found Material in Contemporary African-American Art
Thursday, May 9, 7pm. On the occasion of Nari Ward: We the People, this panel discussion will feature an intergenerational group of artists, including Kevin Beasley, Abigail DeVille, and Shinique Smith, with moderator Andrianna Campbell, and explore how the use of found materials speaks to issues of culture, identity, and history within African-American contemporary art.
Former Hartford Art School Faculty, University of Hartford, 200 Bloomfield Avenue, West Hartford, CT 06117.
Open Library Stacks. Josh Bailer Losh, Andrianna Campbell: Seeing is Forgetting, 2019. #redcarpet #Oblivion
Andrianna Campbell, Center for Experimental Lectures, Sara Magenheimer, Em Rooney, Mariana Valencia, Taraneh Fazeli, Sb Fuller, The Shandaken Project, Storm King Art Center, 2016.
Dr. Andrianna Campbell-Lafleur. A World Glazed and Framed: Art and Architectural Built Environments. One Heritage Place. A Conversation with Critics. NYAA. September 27, 2016
BFA Images Matter, Fred Wilson opening, Pace Gallery, Nathaniel Lee and Andrianna Campbell photo by Laurie Simmons
Opening Reception and Discussion Vanishing Points. James Cohan Gallery. Walker Street, New York, New York.
Black Women Artists for Black Lives Matter at James Cohan Gallery.
Black Women Artists at James Cohan Gallery, Chelsea.
Black Women Artists for Black Lives Matter, Daily Art Fair.
Black Women Artists for Black Lives Matter, April 1, 2017.
Black Women Artists for Black Lives Matter. New Yorker Review. April 10, 2017.
Dr. Andrianna Campbell-Lafleur. bwaforblm BWA for BLM in conversation with curator, Andrianna Campbell (@andriannacampbell). 2017. White walling and black box cinema.
Dr. Andrianna Campbell-Lafleur. Public Lecture. Cranbrook Academy of Art. February 29, 2024. Bloomfield Hills, Michigan.
Dr. Andrianna Campbell-Lafleur. Alex Dodge in Vanishing Points. James Cohan Gallery, 533 West 26th Street, New York, NY.
Dr. Andrianna Campbell Lafleur mentioned in David Velasco’s Project: Stanley Whitney. Artforum, September 2020.
Dr. Andrianna Campbell-Lafleur. Dance in a Future with All Present. 2019.
Claude Lawrence, Parrish Museum. 2023. “This crossover between jazz and abstraction can be seen in Lawrence’s energized compositions of bold colors and impassioned brushstrokes, where graffiti-like marks jostle alongside energetic but deliberate scrawl and more meditative fluid works hum with frenetic movement. Art historian Andrianna Campbell attests to the depth of influence that Lawrence’s musical career had on his painting.”
Dr. Andrianna Campbell-Lafleur. Rain. “Art: Never before seen Jean-Michel Basquiat paintings go on display in New York. June 9, 2021.”
Andrianna Campbell-Lafleur Art Historian Loophole of Retreat Guggenheim April 27.
Dr. Andrianna Lafleur. Kingsborough Community College. Brighton Beach, New York. Near Coney Island. #postrapemyprofessors Overall: 3.8
Reviews for the Elaine Lustig Cohen show. Tali Jaffe, “Hermès and The Glass House Join Forces” Cultured. April 26, 2017. Aileen Kwun for Dwell.
Chloe Rabinowitz, BRIC Announces 2020 Colene Brown Art Prize Recipients. Broadway World. November 11, 2020.
Dr. Andrianna Campbell-Lafleur. ART IN AMERICA. “Shana Lutker” By Andrianna Campbell. March 24, 2016 12:47pm.
Dr. Andrianna Campbell-Lafleur. Planthouse. Bathing | Group Exhibition. Curated by Brian Shure. June 27 ‒ August 13, 2018.
Dr. Andrianna Campbell-Lafleur College of William and Mary. W & M Events and Happenings.
Dr. Andrianna Campbell-Lafleur. Visiting Critic 2016-present. Lecturer-2021-2023. Yale University. Coursicle.
Dr. Andrianna Campbell-Lafleur. Karyn Olivier. Institute of Contemporary Art, University of Pennsylvania. Tan cover.
Dr. Andrianna Campbell-Lafleur CUE Art Foundation Exhibition Alumni Mentors Network .
dr. Andrianna Campbell-Lafleur. 4 Generations. Four Generations: The Joyner / Giuffrida. by Courtney J. Martin (Editor), Christopher Bedford, Andrianna Campbell, Nicholas Cullinan, Joost Bosland, Jacqueline Francis, Alexiver, Mary S. Campbell. 52, ages, Pubised 2019.
Dr. Andrianna Campbell-Lalfeur. Robert Longo. 2018. Robert Longo. Paris and Los Angeles.
Dr. Andrianna Campbell-Lafleur. High Museum, Atlanta, Georgia. Lucas Blalock, Kate Nesin, Terry Richardson. 2018.
Dr. Andrianna Campbell-Lafleur HENNESSEY + INGALLS ART & ARCHITECTURE BOOKSTORE Among Others MoMA 2019.
Dr. Andrianna Campbell-Lafleur. Reflections on the Smithsonian’s “American Art and Digital Scholarship” Conference. CAA News.
Dr. Andrianna Campbell-Lafleur, Moderator & Witness. Alchemy.
Dr. Andrianna Campbell-Lafleur. Printed Matter.
AC Dr. Andrianna Campbell-Lafleur THE ANTHROPOLOGISTS CLOSET = Andrea Karnes Michael Auping William J. Simmons Omar Kholeif LAURIE SIMMONS: BIG Camera Little camera.
Modern Art Museum of Fort Worth. Laurie Simmons: Big Camera/Little Camera. Accompanying a major survey of the American artist Laurie Simmons, this generously illustrated book features every important step of her ever-evolving career—from small black-and-white photographs of miniature furniture to large-scale, full color images featuring life-sized Japanese dolls. By Andrea Karnes, with contributions by Michael Auping, Andrianna Campbell, Carroll Dunham, Omar Kholeif, William J. Simmons, Lynne Tillman, Calvin Tomkins, and Matthew Weinstein. Designed by Abbott Miller, Pentagram. 2019 New York Book Show Awards: 1st place cover; merit, book. Published 2018 | ISBN: 9783791357621.
Dr. Andrianna Campbell-Lafleur. Laurie Simmons. Good Reads.
Dr. Andrianna Campbell-Lafleur. Laurie Simmons: Big Camera/Little Camera. Pinterest.
Dr. Andrianna Campbell-Lafleur. Norman Lewis: looking East. Michael Rosenfeld Gallery. Tetsuya Pshima Mullen Books.
Dr. Andrianna Campbell-Lafleur. Center for Experimental Lectures, Sara Magenheimer, Em Rooney, Mariana Valencia, Taraneh Fazeli, Sb Fuller, The Shandaken Project, Storm King Art Center, 2016. Earth Standing Still: In front (Al dentro) “The Peach Pit,” Isamu Noguchi, Momo Taro (1977-1978), Granite, 108 × 415 × 259 in. Storm King Art Center, New Windsor, New York.
Main lIst. Visual artists, curators, art writers and visual art subjects of the African Diaspora. COLLECTIVE (RE)MEMORY Vol 1. A Site-Specific BLT Reader. SANTA M ONIC A, C A.
Dr. Andrianna Campbell-Lafleur come out of art residency Pamela Joyner Art Collection I owe IOS.
Dr. Andrianna Campbell-Lafleur. The Getty. Los Angeles, California. 6. The African American Art History Initiative Advisory Committee with Getty staff: Back row (left to right): Andra Darlington, Pamela Joyner, Richard Powell, Glenn Phillips, Bridget R. Cooks, Mark Godfrey, Andrew Perchuk, Anne Helmreich, Gary Simmons, and Rebecca Peabody. Front row (left to right): Andrianna Campbell, Mazie Harris, Katy Siegel, Andrea Barnwell Brownlee, Mary Miller, Marcia Reed, Erin Christovale, Kellie Jones, Kathleen Salomon, Alexa Sekyra, and J. Paul Getty. Trust President and CEO Jim Cuno. Terracotta.
Dr. Andrianna Campbell-Lafleur. The Getty. Los Angeles, California. 6. The African American Art History Initiative Advisory Committe for Sean Donna for T Magazine, June 2018.
Dr. Andrianna Campbell-Lafleur. The Getty. Los Angeles, California. 6. The African American Art History Initiative Advisory Committe for Sean Donna for T Magazine, June 2018.
Dr. Andrianna Campbell-Lafleur Traiter la Fragment: Grottes, Diasporas et l'Anna archive Tumblr Dorothee Dupuis, La Start-up.
Dr. Andrianna Campbell-LaFleur, JOHN NEWMAN POSSIBLE IN PRINCIPLE 1st Edition 2016 #157185
Women in the Arts. CUNY.
Dr. Andrianna Campbell-LaFleur. Ebay. Frank Stella by Lucas Blalock, Andrianna Campbell & Kate Nesin Contemporary Art.
Dr. Andrianna Campbell-Lafleur. Rizzoli 1964. Frank Stella.